We All Have to Start Somewhere: Part I

Everyone who has a hobby, craft or pursues some kind of artistic activity starts somewhere.  There may be 2 year old weaving prodigies, but most people begin with few skills.  Recently the Not 2 Squares shared their weaving beginnings.  Here's a glimpse at a few of the first efforts of our members:

One of Dee's first projects was a red bag.   Here is an example of some later work - a beautiful vest.  There's lovely sewing and detail.  Also a recently woven scarf.

Diana's first sampler, with a detailed look.

One of her first projects was a checkered towel.








One of Gus' first projects was fairly ambitious overshot fabric to be used to cover dining room chairs.  The upholstery lasted many years before being replaced with newly woven fabric. 

 

 

 There will be more examples in future posts.

 

 

 

 

Fabric wefts for Luxurious Clothing

At the March meeting, there were several projects that had been woven using fabric strips for the weft.  The photo above shows details in a jacket woven and sewn by Sue Habegger.  She used a rayon challis fabric and cut the strips on the bias to keep them from fraying during the weaving and finishing process.  The resulting jacket is almost like chenille cloth and very elegant.  The photo below is her sketch for the jacket and a samples of original yardage, handwoven twill for the front opening and the cloth for the body of the jacket.   I believe she used a pick  or two of fine yarn between the shots of fabric weft to make the cloth more supple.

 

 

 

Dee Jones brought out a couple of garments she had woven and sewn using fabric wefts.  The first is a vest woven with silk strips.  Dee folded the fabric strips in half as she wove, but  didn't tuck in the ends of the fabric wefts and let them peek out of the finished cloth.   This is a project from several years ago and Dee didn't remember the details about how it was woven, but it looked as though there might be finer thread picks between the fabric shots in this cloth as well. 

 

 

The final jacket (below) was also woven by Dee.  She says it has been worn a lot since she made it, yet is looks like new.  This definitely has fine thread picks between the fabric shots.  Look at the lovely purple lining and elegant buttons!

May Meeting

JoAnn wove this top which features a neckline that was loom shaped.  Getting the neckline just right as you are weaving the shoulders, can be tricky.  One suggestion was to trace around a commercial pattern's neckline and then use the curved shape above the neck as a guide while you weave the shoulders.  Since the center part of the warp wasn't being woven as JoAnn shaped the curve, she was able to use those unwoven threads as a decorative fringe.  Note the finish in the  detail photo.

I looked for a written source on shaping necklines on the loom, but couldn't come up with anything in the magazine indexes.  I did find instructions in an out of print book Weaving in Style which is available from several booksellers.

Dee had a couple of interesting things for show and tell.  The first piece is an off white shawl with a bit of gray/brown boucle threads for an accent in the warp. This is a two block twill giving the shawl an interesting texture.

Dee belongs to a wearable art group and their latest challenge was to make something from a Lois Ericson design for a meeting in which Lois herself will be present.  This vest is handwoven wool with decorative ribbon applique and a bright green lining that Dee decorated with a gold scribble pen. Note the interesting seam finish on the right side of the photo below.

August Meeting Part 3

Resuming where we left off in the August show and tell, is Dee's bag on the left woven with sari silk yarn. She knitted a closure and lined the bag with bright red material from an antique kimono. On the right is a bag entered by Sue H. which matches the vest later on in the post. Sue's bag is made of felted handwoven wools.


A blue ribbon winner if there ever was one, Dee's unlined wool jacket is trimmed with a crochet edging.


Dee found the perfect use for some novelty chenille like yarn. She used it in every other weft pick for this stunning shawl woven with wool and silk. Also note that she left the red warp threads loose and twisted the navy ends for something out of the ordinary. Rachel, from Shawls Unlimited, named this one Azadi

Here is another blue ribbon winner by Dee that was only on the Shawls Unlimited site for a few days before it disappeared! No wonder -- lovely wool spiced up with novelty ribbon yarns and a generous size made it easy to sell.

Here we have Sue H's vest that goes with the purse pictured earlier in the post. Sue fulled the fabric for this vest a bit more than she had intended and couldn't think of what to make from the yardage. But, she came up with this terrific looking vest. The binding is knitted with the same yarns used in the handwoven fabric, but naturally not fulled. Look for details in the construction of this vest in future post.

These eye catching towels were woven by Sue H. all on the same warp. This vibrant collection would make any kitchen come alive.

Back (left) and front (right) of Sue H's prize winning top. Each of the details in this top are repeated in another location, tying the whole together into a fabulous piece. The sleeve decoration which can just be seen in the right photo, has the same weft striping as the center panel. On the back, you see triangular detailing, which is repeated in the gusset under the arms.

Needless to say, the judge at the fair was very impressed with this garment.

Sue is a master of detailed finishing. This towel features a loop at each side of the center of the towel, which was woven as a weft thread. This handy loop makes it possible to hang the towel from a hook.

I still have a few more photos that really need to be shown. Look for part 4 in a few days.