Carol got her brown bag yarns from me (Beryl). For this first scarf, she used a painted wool/rayon and rayon/cotton pink ribbon for the warp and some of her own pink rayon as the weft. The structure is plain weave. This is a light, delicate scarf in a fabulous shade of pink.
Carol used the same painted wool/rayon yarn in this scarf, but this time she made use of it in both warp and weft. The striping was a naturally occuring feature. The structure is plain weave.
For her final scarf, Carol chose two different yarns from the bag. One is a cabled variegated silk in shades of wine, green and blue. She combined it with a loopy mohair in almost the same colors. She was inspired to do the window pane design by "Night Windows" scarf in
Handwoven's Design Collection 19 Loopy mohair creates the window frames in both warp and weft.
This is an opulent scarf, with lots of length and multiple ways to wrap and wear it.
Carol got her brown bag yarns from me (Beryl). For this first scarf, she used a painted wool/rayon and rayon/cotton pink ribbon for the warp and some of her own pink rayon as the weft. The structure is plain weave. This is a light, delicate scarf in a fabulous shade of pink.
Carol used the same painted wool/rayon yarn in this scarf, but this time she made use of it in both warp and weft. The striping was a naturally occuring feature. The structure is plain weave.
For her final scarf, Carol chose two different yarns from the bag. One is a cabled variegated silk in shades of wine, green and blue. She combined it with a loopy mohair in almost the same colors. She was inspired to do the window pane design by "Night Windows" scarf in Handwoven's Design Collection 19 Loopy mohair creates the window frames in both warp and weft.
This is an opulent scarf, with lots of length and multiple ways to wrap and wear it.
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