May Meeting

JoAnn wove this top which features a neckline that was loom shaped.  Getting the neckline just right as you are weaving the shoulders, can be tricky.  One suggestion was to trace around a commercial pattern's neckline and then use the curved shape above the neck as a guide while you weave the shoulders.  Since the center part of the warp wasn't being woven as JoAnn shaped the curve, she was able to use those unwoven threads as a decorative fringe.  Note the finish in the  detail photo.

I looked for a written source on shaping necklines on the loom, but couldn't come up with anything in the magazine indexes.  I did find instructions in an out of print book Weaving in Style which is available from several booksellers.

Dee had a couple of interesting things for show and tell.  The first piece is an off white shawl with a bit of gray/brown boucle threads for an accent in the warp. This is a two block twill giving the shawl an interesting texture.

Dee belongs to a wearable art group and their latest challenge was to make something from a Lois Ericson design for a meeting in which Lois herself will be present.  This vest is handwoven wool with decorative ribbon applique and a bright green lining that Dee decorated with a gold scribble pen. Note the interesting seam finish on the right side of the photo below.

Snow Day continued

A few meetings ago, Jackie gave some handwoven yardage to Marcy.  Marcy made pillows that enhanced her living room decor and brought one as a present for Jackie.  The dark blue sofa at Ingrid's

home  overwhelms the subtle colors from the pillow and  I should have looked for a more neutral backdrop to take the picture.  But having seen Marcy's living room colors, the pillows will be very much at home there. 

Marcy's husband frequents estate sales looking for old books.  He found this throw at a sale and purchased it because it was so intriguing.  After examining it, we decided it is huck embroidery done on what may have been handwoven cloth. The structure of the underlying cloth is used in a manner similar to counted cross stitch to embroider a design. It is quite a large piece and must have taken a long time to embroider.

Sue H. brought some examples of her wall hangings and rugs.  This striking piece is called wedge weave and was woven in a tapestry technique done by Navajo weavers. One of the features of this kind of weave is a wavy edge. Sue has left the working threads loose on this piece. She told us that the weaving starts at one corner and then progresses from there. 

The photo below is part of a rug sampler piece Sue wove using techniques in Peter Collingwood's rug book.  What a good idea to do a practice piece before you tackle an entire rug.

Snow Day

We had to do a bit of last minute planning on where to hold our April meeting.  Snow -- yes, snow was falling at our planned meeting location.  Some of us are prepared for such weather -- some of us aren't.  We were lucky that Ingrid agreed to host the meeting.  She lives at a bit lower elevation and it was simply raining a bit at her house.  Everyone managed to make the meeting except for Sharon, who had made a trip to California and was really hoping to join us.  The snow made her flee back to Nevada -- where it was snowing too!

Jackie H. brought in two new shawls that are light in weight and will make stunning summer wear.  The yellow shawl shown below is in a cotton and rayon mixture.  Someone will find this a fantastic light wrap for a summer picnic or a walk on the beach.    Jackie thinks the weave structure may be idiot's delight -- but couldn't remember for sure.

Her next shawl is a two block twill with some of the twill blocks outlined in a darker color.  This gives the shawl an optical appearance of being embossed, even when it is not.  This shawl was woven in cotton and silk.  The weft is a very fine boucle cotton and the shawl is as light as air.   

Gus brought in the shell that she sewed with the handspun silk yardage (in one of last month's posts it was still on the loom).  The shell is lined with a fine batiste and is ever so airy and light.  The variations in the handspun silk make this a very elegant wearable.  To do it justice, we really needed Gus to model it and maybe that can be arranged for a future post.

Stay tuned for more posts about our Snow Day meeting.

Spring Forward in Dee's Newest Shawls

Dee brought three (yes three) new shawls to the meeting.  I am simply amazed at her loom output.  And, Dee also knits up a storm, does design work for Mountain Colors and finds time for designing and making art quilts.  Whata woman!

First up is a purple shawl with mixed warp and a subtle diamond design.  The weft is an interesting wool/rayon mixture.  The wool dyed purple (Dee also dyes), but the rayon naturally stayed white in the acid dye bath.  The shawl has a sparkle to it because of this.

Next are the Blues.  This would be a great wardrobe addition to someone who lives in blue jeans and can't be bothered with dressing up.  This is woven with yarns of cotton, rayon and bamboo. 

And the last shawl is another mixed warp and woven in a two block twill design, except that the blocks are only treadled once.  This makes for a texture design, rather than a block design.

Modeled here by Gus

Close up of the fabric.

Inspiration from a Painting

Last month's blog post featured some towels that Gus wove using Wayne Thiebaud's painting, Large Pond as inspiration. This month we have two more interpretations.  The first is a top woven and sewn by Sue H.  shown below. 

Sue added a band with fringe around the neckline and also the bottom of the back making this a short sleeved jacket.  The warp for the trim is the same as the material for the top, but the weft colors differed.  Click on the photo above for a more detailed view of painting and handwoven top.

Here is a close up. What a great garment using the painting as color and texture ideas.

The next handwoven inspiration comes from Marcy's loom.  She wove a series of towels in colors found in the painting. 

All of the towels are lovely, but my favorite color combination is in the close up below.  The structures are twill and basketweave.

By the way, Thiebaud is pronounced Tee-bo!

Rugs and Baby Blankets - Problems and Solutions

Jackie H. has been weaving a series of rugs and right now she is working on rag rugs.   She brought a trial piece to the meeting that has been delegated for a little mat that the dog sleeps on in the kitchen (to keep him out from under Jackie's feet).  This rug is woven in a two block 3/1 and 1/3 twill; Jackie used strips of 1.75" wide fabric from her yardage stash for the body of the rug.  Then, she gave us a tip on how to finish off a hem.  She weaves four shots of rug warp, then several shots of fabric strips that are cut narrower than the rest of the rug weft.  For the turning point on the hem, there are another four shots of rug warp, several more of the rag weft and finish with four shots of rug warp yarn.  This makes the hem less bulky to turn and it also turns easily where there is a line of rug yarn used as weft.

The technique used on the hem, might come in handy for other handwoven pieces in which the hems are bulky.

Spring time always brings babies!  Marcy wove this lovely cotton blanket as a gift, but was dismayed that the fringe was so troublesome when she washed the blanket.  She has decided to stitch along the edge and then bind it with a satin binding instead of leaving it fringed.  We would love to hear from our readers about what they think of fringe on baby blankets and their favorite finishes.

Handspun Silk on the Loom

The March meeting was at Gus home and since the group always likes to check out what is on the host's loom, I thought I would start with these pictures of her current warp.  This is handspun silk, folks.  Both in the warp and the weft.  Gus spun this silk over the past five years and gathered it all together for weaving yardage for a shell top.

Look at the waterfall of blue silk over the back beam.  Simply gorgeous.  

The picture below is more of the silk waiting to be woven.

 

Gus showed us a pillow that was pieced together from samples she wove in a deflected double weave class.  The pillow backing and the piping are handwoven plain weave to coordinate with the pillow colors.  The different designs are simply the reverse side of the cloth put together in a traditional nine patch design.

Show and Tell Included Beauties from Around the World

I have an online friend  (Indira) who sent me this fantastic handwoven piece of sari cloth as a gift.  She has a large collection of sari cloths and instead of letting them languish stored away, she is making them into scarves  and selling them at 1000 Markets. Here is what Indira says about this piece of handwoven cloth

This piece of cloth is about 35 years old and is from Kanchipuram (a historic city in Tamilnadu, India). The yarn is mulberry silk from Karnataka, India, which has the largest sericulture industry in India.

 The gold brocade (zari) is threads dipped in liquid silver and 24k gold. Because of that it still retains its bright shine.  As for as weaving goes, Kanchipuram silk saris are considered very strong and durable because of the double warp-double weft twisted thread technique the weavers use. The two different thread color for the warp and weft in this scarf give it a special shimmer.

 Kanchipuram silk's distinctiveness is also that the border is woven using interlocked warp and the brocade is woven using interlocked weft. Actually if you cut the border exactly on the line where it is woven into the body, there will by no frayed edges. The shoulder piece is also constructed similarly. The huge steeple design along the border is an innovation on the basic motif of "temple" (common in saris made in southern part of India) which came into fashion around the time this sari was made.

Barbara has a fantastic collection of ethnic textiles from all over the world.  Her daughter brought her this basket made from rolled up newspaper which was woven into the basket and then finished with a clear sealer of some sort.  The basket maker was from Bangkok, Thailand

And talk about complex, Barbara also showed us this piece of warp and weft ikat cloth which was  dyed and woven in Thailand.  The yarn is handspun cotton.

I can hardly wait until the next meeting to see what everyone has been doing.  We have had some snow storms and lots of rain, so maybe people have been weaving.

Having Fun with Color

Dee has a marvelous touch with color in her handwovens. This shawl was alive with color and since it didn't translate all that well in the photo, I will tell you that the colors are lilac, purple, magenta and sparks of bright spring green. The green really makes this shawl come alive.

Dee combined commercial and handspun yarns in purples and lilacs again in her warp yarns. Then, she added a bright red weft. The color interplay is marvelous.

Here is what happens to the same warp with different wefts. These two pieces of yardage are on the same warp but the left has a white weft. The white yarn suddenly becomes pink in appearance. One of the mysteries of color changes in woven fabric.

Still a couple more things to show from our meeting. The next post will be on items that weren't woven by our members, but are handwoven. Treats from around the world.

Weaving Inspired by a Painting

Gus is participating in a challenge through Foothill Fibers Guild in which members of the guild take some aspect of the painting "Large Pond" by Wayne Thiebaud and interpret it in a fiber project. Gus concentrated on the little checked red and blue triangle that depicts a cultivated field (see arrow) and wove a whole series of towels with each one edging closer and closer to what she saw in the picture.

Her structure of choice was Swedish lace. This particular draft was found in Marguerite Davison's book A Handweaver's Pattern Book on page 94.

Gus decided that the blue and red towels needed additional color to give them more interest, so she got out her knitting machine and knitted up white cotton in stockinette stitch. Then, she dyed the knitted blank in similar colors to the one shown above, unraveled the yarn and used it for weft. You can see that the addition of more color really brings depth and richness to the textiles.

There was only enough warp for one more towel, when Gus rethreaded her loom in a new Swedish lace pattern adapted from Mary Snyder's book Lace and Lacey Weaves.

One of Gus' towels will be on display at the Nevada County Fair this August along with other artisan interpretations of the painting. We wish Gus the very best of luck with the judges.

It's All About Stripes

Jackie has been promising to weave rugs for several years and she has a grand Toika countermarche loom which is well suited for the job. She has made a great beginning with this rag rug for her kitchen. Jackie used an old sheet from a thrift store and cut her strips about 1 3/4" wide because the sheet was well worn. Then, from her stash of cotton yardage, she cut strips about 1 1/2" wide for the stripes.

The perfect use for recycled fabric, don't you think?

Ingrid has been playing with stripes. She found a great little tool online called a random stripe generator and played around with it until she found a pleasing stripe design. Then, using three shades of natural color cotton from Sally Fox she wove towels using the draft which follows. The stripe design is outstanding and well worth the extra trouble in warping.

To read a bit more about Ingrid's process click here for her personal weaving blog.

Dee brought in two very different towels that were woven on the same warp. She used a two block twill which is one of her favorites. The towel on the left was woven with a dark green weft and she treadled 1-4 and 5-8 repeatedly so the blocks are pronounced. Also, by using the dark green weft the green stripes really pop. The towel on the left used a white weft and was treadled from 1-8.  For a touch of contrast, Dee picked some heavier purple cotton for accent stripes.

Spring is almost here!

The February meeting was at Marcy's home and her show and tell was on the loom. She is weaving towels in a point twill design and using a different color weft for each towel. Marcy likes the towel with the light blue weft the best so far, but it is already on the cloth beam, so we will have to wait until a later date to photograph it.

Sue R. recently attended a knotted pile workshop and her sampler will turn into a small purse. Here it is with the knotted pile flower and a weft faced weave for the back of the purse. She is card weaving a matching strap. Can't wait to see the finished piece.

Diana brought her woven wool pieces that are destined to become a ruana. The pieces had to be exactly the same length and are hem stitched on each end with fringe. She measured each step along the way and also counted the number of motifs to get her handwoven pieces exactly right. The pattern is a two block waffle weave design from A Weaver's Book of 8-Shaft Patterns. For those of you who have the book, the draft is #519.

In this picture you can see the brighter border on the bottom of the piece. There is also a brighter stripe on the sleeve edges. Diana dyed the yarns for the ruana and is going to weave an inkle band for the front and neck edges. Stay tuned for more pictures of the finished garment.

There is lots more to show from the meeting. I'll put up a post every couple of days, so check back frequently.

January Meeting on a Stormy Tuesday

It was pouring rain for our meeting at Sue's home but enough of us braved the weather and were so happy we had. Sue had hot apple cider and cookies ready and we got a tour through her living room studio to check out what was on her looms. Dish towels are being woven on the loom in the picture above. Sue gave us a tutorial on how she ties on new warps and saves time by not having to sley the reed and thread the heddles.

This loom is one that Sue built when she attended classes in Espanola, New Mexico. She learned a tapestry technique there and has woven many wonderful wall hangings and rugs on this loom. You can see one of these pieces on the wall to the right of the loom.

Sue wove the cloth for this top some time ago, but recently sewed it into a top for summer wear. On the back are two of the same rectangular motifs.

Marcy got inspired to weave another scarf after finishing up her contribution to our gift scarves we wove around the holidays. This one has some rayon chenille in the warp and a glitzy yarn she picked up at a guild raffle. Very festive.

Jackie brought this alpaca shadow weave shawl and we all agreed it is a spectacular piece. The pattern is from Marian Powell's 1000+Patterns in 4,6 & 8 Harness Shadow Weaves. This particular pattern, for those readers that have the book, is 4-17-2 on page 134. Jackie added her own touch to the pattern by threading some of the darker yarn into stripes between the motifs. These stripes are in plain weave.

Here is a closer view of the cloth.

Sue R. has her scarf done from the brown bag exchange and will be twisting the fringe. Watch for it this next month because I will borrow it to take photos and post a copy of the draft.

A Start on Next Year's Scarves

Igor finished his scarf after the deadline, so it will be put away until Christmas 2010. His yarns came from the bag that Dee brought to the exchange and he used some of almost everything in the bag. There were two red rayon threads -- one was about 16/2 and the other probably 8/2. There was a bright red mercerized cotton of about 10/2 weight and a fine black rayon thread. All of these were used in the warp. Igor added a black mohair and metallic novelty yarn as one of the warp threads and used 10/2 black bamboo for the weft.

The finished scarf is very long and 4.5" wide. The warp was 4 yards in length and 5" wide in the reed, sett at 30 epi. He wove it very slowly to make sure he wasn't beating too hard so the resulting scarf has lots of drape. He used a crepe tie up from his weaving files but doesn't remember the source and it is likely that he has tweaked it a bit.