Scarves for Giving Post #5

Carol got her brown bag yarns from me (Beryl). For this first scarf, she used a painted wool/rayon and rayon/cotton pink ribbon for the warp and some of her own pink rayon as the weft. The structure is plain weave. This is a light, delicate scarf in a fabulous shade of pink.

Carol used the same painted wool/rayon yarn in this scarf, but this time she made use of it in both warp and weft. The striping was a naturally occuring feature. The structure is plain weave.

For her final scarf, Carol chose two different yarns from the bag. One is a cabled variegated silk in shades of wine, green and blue. She combined it with a loopy mohair in almost the same colors. She was inspired to do the window pane design by "Night Windows" scarf in Handwoven's Design Collection 19 Loopy mohair creates the window frames in both warp and weft.

This is an opulent scarf, with lots of length and multiple ways to wrap and wear it.

And more scarves #4

Jackie's brown bag contained yarns donated by Carolyn. There were several balls of cotton/wool in lovely colors of blues and turquoise and some mohair with long repeats of color. Jackie used the cotton/wool sett at 8epi for her warp yarns and the mohair as weft. The color repeats in the mohair yarn worked perfectly - what an elegant look!

This is the draft for the mohair scarf.

Since there was cotton/wool yarn left over, Jackie went to her stash and pulled out alpaca for the second scarf. This scarf was sett at 12 epi and the cotton/wool is used for color stripe accents along with the brown alpaca. The weft is all alpaca and will surely make this a favorite scarf for some lucky person.

Here is the four shaft draft for the alpaca scarf. Notice what reversing the points in the threading does for interest in the finished scarf.

Christmas scarf #3

Marcy got her yarns from Igor's brown bag which contained pink ribbons, pink wool/rayon singles, and several shades of spring green cotton and wool yarns. She mixed them in the warp and used a variegated rayon chenille for the weft yarn -- which contained many of the warp colors.

Her weaving draft was taken from an old publication of helps and hints compiled by the Handweaver's Guild of America and is called a double rosepath. She sett the warp at 15 epi and dented it 2-1 with the heavier yarns in their own dent and doubling the finer ones.

The design is very subtle because of the variety of colors used in warp and weft. The fringe was left untwisted to show off the colors used in the warp.

The chenille makes this a very touchable scarf, which will be sure to please the wearer.

This is the draft used and the extension of twill lines, gives larger diamonds than a regular rosepath draft.

Scarves for Christmas giving #2

Diana wove this big, warm scarf using the yarns that Marcy brought to the brown bag exchange. The warp is an 8/2 or maybe 10/2 cotton in navy and was sett at 12 epi. Diana added some red cotton stripes to the warp and then used a 1/3 twill draft. The weft is a loopy acrylic blend in navy.

The scarf is fairly wide -- maybe about 12", so it lends itself well to being worn as a shawl.

Diana added extra red threads to the fringe to give the dark navy fabric a bit of spark.

Here is another dramatic way to wear this very versatile winter scarf.

Scarf for Christmas giving #1

In the spirit of giving this year, our group is weaving scarves for teenagers in foster care. In that same spirit, each weaver will share the details with our readers. This scarf was woven by Gus using yarns supplied by Carol. The pink/purple is 6/2 cotton, the green is an 8/2 green rayon slub and the black was a 3/2 cotton from Gus stash. Gus used the Fibonacci sequence for her stripes and reversed the sequence in the middle of the scarf.

The scarf measured 6" in the reed and the sett was 12 epi. The length of the scarf is 60" and it has a 10" twisted fringe on each end. Below is the draft that was used.

This is an elegant and very fluid scarf and I'm sure its new owner will love wearing it.

November meeting part 2

Jackie brought yardage to the meeting that she hoped to turn into towels for Christmas gifts. The original color of the yardage appears in photo number 1. She was disappointed that the colors weren't as vibrant as she hoped, so we did a photoshop overdye of her cloth to see what might happen in a dye bath. Photo number 2 is a yellow overdye, photo 3 is magenta and photo 4 is green. I think that number 2 and 3 are probably fairly accurate renderings of what an overdye of the cloth would look like. I'm not so sure about the green filter because the red still shows as red, but it is interesting to play with a photoshop technique before you actually commit the fabric to the dye pot.



Jackie also brought this luscious chenille shawl destined to be sold at Shawls Unlimited (they called it Night Shadow). It is a big shawl, with perfectly twisted fringe that would make the ultimate in a luxury gift. The warp and weft are rayon chenille.

Sue H. wove this yardage and is still thinking about what it will become. The main part of the yardage is the blue in the top of the photo, but I wanted to show some of the colorwork at the end of the piece. Will certainly become something wonderful.

Sue has also been weaving towels for sale. Here are several from the stack she brought to show. Sue weaves a couple of towels, cuts them off the loom and then ties on a new warp with a new color sequence for a fresh look.

What we are up to this fall

At a meeting this past August, we decided to weave scarves for teen age foster kids in our county that would be given to them as gifts during the holidays. To make it a bit more of a challenge, we set up an exchange of yarns hidden in brown paper bags. Each weaver was to use at least one of the yarns in the bag to weave one or two scarves. Using up to 50% of one's own yarn was permissable.

At the November gathering, several people were done with one or more of their scarves and some people had woven scarves for the gift giving that weren't part of the brown bag exchange. So interpersed with the show and tell from the November meeting, some of these lovely scarves will be on display here along with pertinent information on the draft, yarns used and problems encountered.

The scarf shown in this post was woven by Diana. She painted a neutral colored cotton chenille skein at a local dye workshop. The scarf was woven using the painted yarn as warp and the unpainted neutral as weft. And what a stunning, soft scarf it is. Diana washed and dried her scarf and was dismayed that the twisted fringe wormed. She did some research and found a suggestion on the web about braiding the fringes rather than twisting them -- which is the finish she settled on. We all agreed that the teenager that gets this scarf will love wearing it.

Stay tuned for more show and tell from the November meeting. I plan to keep the blog posts shorter and hopefully more interesting to our weaving readers.

August Meeting Part 3

Resuming where we left off in the August show and tell, is Dee's bag on the left woven with sari silk yarn. She knitted a closure and lined the bag with bright red material from an antique kimono. On the right is a bag entered by Sue H. which matches the vest later on in the post. Sue's bag is made of felted handwoven wools.


A blue ribbon winner if there ever was one, Dee's unlined wool jacket is trimmed with a crochet edging.


Dee found the perfect use for some novelty chenille like yarn. She used it in every other weft pick for this stunning shawl woven with wool and silk. Also note that she left the red warp threads loose and twisted the navy ends for something out of the ordinary. Rachel, from Shawls Unlimited, named this one Azadi

Here is another blue ribbon winner by Dee that was only on the Shawls Unlimited site for a few days before it disappeared! No wonder -- lovely wool spiced up with novelty ribbon yarns and a generous size made it easy to sell.

Here we have Sue H's vest that goes with the purse pictured earlier in the post. Sue fulled the fabric for this vest a bit more than she had intended and couldn't think of what to make from the yardage. But, she came up with this terrific looking vest. The binding is knitted with the same yarns used in the handwoven fabric, but naturally not fulled. Look for details in the construction of this vest in future post.

These eye catching towels were woven by Sue H. all on the same warp. This vibrant collection would make any kitchen come alive.

Back (left) and front (right) of Sue H's prize winning top. Each of the details in this top are repeated in another location, tying the whole together into a fabulous piece. The sleeve decoration which can just be seen in the right photo, has the same weft striping as the center panel. On the back, you see triangular detailing, which is repeated in the gusset under the arms.

Needless to say, the judge at the fair was very impressed with this garment.

Sue is a master of detailed finishing. This towel features a loop at each side of the center of the towel, which was woven as a weft thread. This handy loop makes it possible to hang the towel from a hook.

I still have a few more photos that really need to be shown. Look for part 4 in a few days.

August Meeting Part 2

Carol's towels are both woven with a variegated slub yarn. Notice the amazing plaid created when the yarn crosses itself. The towel on the left has a lot of texture and is a waffle weave structure and the towel on the right is plain weave. However, because of the thick and thin nature of the yarn it also has a lot of texture.

Carol's beautiful huck scarf won a first prize. This was woven with Carol's two ply handspun yarn in angora and Merino. She used two different sources for the yarn, so there is a slight color variation and she alternated colors in both warp and weft to give a uniform appearance to the scarf.

It was hard to capture the colorful beauty of Carol's multi-color shawl. But I was so surprised when I held it up to the light in the picture below and found this glorious pattern that isn't so easily seen without the light going through it. The structure is again, huck lace, but it so different from the scarf in appearance. The warp is a rayon blend and the weft also rayon.

Carol used space dyed yarns for this wool plaid blanket. The weave structure is plain weave and the variation in the color of the yarn again gives great depth to the finished blanket.

Gus wove this rug after a workshop with Jason Collingwood a year ago. It now resides in her kitchen -- and what a beauty it is. The warp is linen and the weft is wool. Look for details of this rug in a future blog about finishing touches.

Gus wove this colorful red, black and white lap robe for an antique car that she and her husband restored. Gus used an 8 shaft advancing twill from a draft by Bonnie Inouye. I'm going to try to get pictures of the lap robe and the car together for a future blog post.

Dog Days of August

Well, have you ever seen a cuter dog than Carl? Carl was the greatest greeter ever at Gus' home for our August meeting. He made each person feel totally welcome and everyone got an invitation to throw the ball for him.



Our group had such a lot of show and tell after the Nevada County Fair, that I'm dividing our meeting post into at least three separate posts so that readers will be sure to get all the glorious details from a fantastic meeting.



Diana brought this towel that she entered at the fair. She wanted to combine two different weave structures -- in this case huck and plain weave into one piece. Her colors are fabulous and we all agree this would be a perfect drying towel because of the open structure of the huck. Her one problem was that the plain weave didn't draw in as much as the huck leaving the selvedge with a slight bulge in the plain weave areas. We finally decided that there wasn't much she could have done about it except perhaps to use a finer thread in the plain weave sections. If anyone has ideas for Diana, please post them here.





Ingrid brought a sample for the napkins she is weaving on her new 24 shaft loom. The sample is 16 shafts on a point threading. She used a sett of 32 epi, but says she is beating at 40 ppi. We all thought that the sample looked great and didn't think that the sett needed adjusting. The napkins will be so fine and delicate. I think the cloth would make a fabulous christening gown and someone suggested wedding gown fabric.



Jackie brought two new shawls that she will be selling at Shawls Unlimited. The shawl in the photo above has a ring spun rayon warp. Jackie combined several different colors and weights of rayon and if you were to be so fortunate to see the shawl in person, you would see how much the slight color variation in the warp threads adds to the interest of the shawl. The weft is white alpaca and since the shawl was slightly weft faced, Jackie used 10 ounces of alpaca. This is a large shawl, worthy of cold weather wearing, if we should ever again be so lucky.






Jackie's other shawl is 100% alpaca. It is a two block twill design and the alpaca yarn uses is mixed gray and white. In a stroke of genius, Jackie outlined the changes in the twill blocks with a dark gray stripe. The overall effect (which is completely lost in this photo) is of a Navajo rug design.

This is blog post one of our meeting. I will put up another post in a few days because I still have lots of photos to edit. Hope I don't forget details about weave structures, etc.